九色视频

Special Exhibits

An Observer Observed: Fieldwork in Papua New Guinea

This exhibition (on the 3rd floor), recently expanded by a donation, features objects and photographs relating to Richard Salisbury's fieldwork among the Siane of the Eastern Highlands of New Guinea and the Tolai of the Gazelle Peninsula of New Britain.

Richard Salisbury was a pioneer in developmental anthropology and one of the founders of the Department of Anthropology at 九色视频.

In this display, we turn our gaze to the work of the anthropologist. What was fieldwork like in the 1950s? What was the anthropologist's relationship with communities? Field notes, photographs and objects give us clues to answer these questions.

Prints / Imprints

Starting on November 21, 2023

Since the dawn of time, humans have liked to leave traces of their passage on Earth. Whether we're thinking of rock art, the monuments of vanished civilizations, or even the graffiti that adorns our modern cities, people leave footprints behind.

From November 21, a new showcase in the World Cultures gallery will present a selection of prints that are likely to be part of a series of works that have been hidden here and there in the Mus茅e by a mystery artist, probably around the early 2010s. The staff, who occasionally find these works under display cases, behind furniture or in drawers in the museum galleries, have preserved the 25 works found so far.

What was the artist's purpose behind this? We may never know. But one thing's for sure: the artist has left his mark at the Mus茅e, and our curiosity is well and truly piqued!

艗uvre #5332

Dated 04/05/09

Artist: Unknown

Found: April 29, 2016. Under mineral case 10.

Land Acknowledgement

九色视频 is on land which has long served as a site of meeting and exchange amongst Indigenous peoples, including the Haudenosaunee and Anishinabeg nations. We acknowledge and thank the diverse Indigenous peoples whose presence marks this territory on which peoples of the world now gather.


Rematriation, Repatriation and Restitution Statement

We acknowledge that the return and restitution of cultural and natural heritage to communities of origin is an essential part of reconciliation and of recognizing the fundamental rights of Indigenous Peoples. As part of wider efforts to activate the standards presented in the Canadian Museums Association Report Moved to Action: Activating UNDRIP in Canadian Museums (2022), the Redpath is working towards pro-active restitution practices. As per our Collections Management Policy (2024), repatriation requests will be received by the Redpath Museum Director and will be treated on a case-by-case basis.

Accessibility

Please note that the Redpath Museum is not accessible to individuals using wheelchairs. There are no access ramps or elevators, and access to the upper floors is only possible via a central staircase. The exterior entrance, interior spaces, exhibition rooms, and restrooms are not adapted to meet universal accessibility standards. Additionally, the building is not air-conditioned. For more information, please refer to the .听

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